Durante i giorni di prigionia avevamo con noi alcune copie di un autore estremamente intenso: Marro Flucidi. Detto anche Flumarro dagli amici più intimi, tra i quali Persolino ed Eluanotta, nella sua narrativa riesce a esprimere dei concetti al confine tra l'astratto e il magnifico. (a cura di Upo Upi) "Non sia mai sassolegno dove possa l'eterno stellauro" così, cantava quasi, nei "racconti di un bosco infinito" pubblicato the beginning in the twenties. His style was associated with the current sostantivoplus, because of this ability to extend words, doubling and extended in meaning. But he has always taken away from any kind of labeling, being able to create his own world perhaps aa little reproducible. Who knows what might have written if he had not yet been stripped of its life, in the spring of '38, when he had the courage to criticize the prince Ghaullo. An excerpt of the book "Prince G" (Edizioni Spenser - 1953), where it appears, in a game of metaphysics, an incredible suspension of words.
"(....) but then do not pass the vecchiarde stubbornness, because if the rules are sgabellofanti then we must equip clubs with canine or change your consciences mordive farms with swords manna. (...) G. Prince, you're a man. G. Prince, the kind you put in mammalupamadre that in fencing, first stepped into prostitution and then broke the lungs corrugated timber with disabilities. "
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